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(艺术史)Conference: Is There an Asian Art History?
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(艺术史)Conference: Is There an Asian Art History?
«
发于:
2006年 04月20号, 01:59:30 »
Conference: Is There an Asian Art History?
Location: New York Begins: 2006-04-28
Discover new ways of thinking about the study of Asian art and its
future directions with this stimulating panel discussion, opening the
conference Asian Art History in the Twenty-First Century. Asia Society
President Vishakha N. Desai is joined by leading scholars Oleg Grabar,
Princeton University, and Wu Hung, University of Chicago. These experts
look at the regionalization of art within a global framework, as well
as
how the diversity of artistic expression in Asia still demands that art
be looked at within specific cultural contexts.
Contact:
annek@asiasoc.org
URL:
www.clarkart.edu/research_and_academic
Announcement ID: 150516
http://www.h-net.org/announce/show.cgi?ID=150516
http://www.clarkart.edu/make_a_visit/event_detail.cfm?ID=7342&nav=3
Clark Conference:
"Asian Art History in the Twenty-First Century"
This year's Clark Conference is organized in association with Asia
Society, New York, and is convened by Vishakha N. Desai.
Asian art is a field that has changed much since its beginnings early
last century and which has been constantly shaped by a shifting world
order. It is not often that historians, curators, and critics of Asian
art get the chance to discuss their field, its historiography, its
tensions, and its possible future directions. What do we mean by Asian
art? How did its canons get formed? How is it manifest in museums,
exhibitions and galleries? How might we understand it in relation to
shifting geo-politics? How should we create new theoretical structures
to suit the realities of the twenty-first century?
The Clark/Asia Society Conference, Asian Art History in the
Twenty-First
Century, will provide a forum for discussion and debate among leaders
of
the field from Asia, Europe, and the United States.
The Conference begins with a reception and conversation at Asia Society
in New York on Thursday evening, April 27, and continues in
Williamstown
on Friday and Saturday, April 28 and 29. We hope that as many people as
possible will attend both parts of the conference, but you may register
for them separately.
PROGRAM
Thursday, April 27
6:00 pm
Opening Reception at Asia Society, New York City
7:000 pm
Opening Conversation: Is There an "Asian Art"?
Vishakha N. Desai (President, Asia Society) speaks with Wu Hung
(University of Chicago) and Oleg Grabar (Institute for Advanced
Studies,
Princeton).
Friday, April 28
10:00 am0 pm
Conference registration at the Sterling and Francine Clark Art
Institute, Williamstown, MA
11:30 am
Showing of videotape of the opening conversation
2:00 pm
Conference Introductions
Michael Holly, Director of the Research and Academic Program
Vishakha N. Desai, President, Asia Society
2:15 pm (Session 1)
Forming the Canons
Moderated by Maggie Bickford (Brown University and Clark Fellow, spring
2006)
Who wrote the histories of Asian art that we now work with? What were
the priorities of these histories, and what are the disputes and
flashpoints that mark them? Who decides what gets called Asian Art and
what its "masterpieces" are?
Frederick Asher (University of Minnesota)
The Shape of Indian Art History
Nancy Steinhardt (Museum of Archaeology and Anthropology, University of
Pennsylvania)
The East Asian Architectural Canon
Discussion
Jerome Silbergeld (Tang Center for East Asian Art, Princeton
University)
Changing Views of Change: The Song-Yuan Transition in Chinese Painting
Histories
Yukio Lippit (Harvard University)
Verisimilitude and Its Discontents: The Zen Portrait in Early Japan
Kaja M. McGowan (Cornell University)
Ritual Cloth, Commercial Canvas, or "A Good Opportunity to Show a
Nude":
Undressing Balinese Painting in the Politics of Everyday
Discussion
6:00 pm
Reception open to all conference attendees
Saturday, April 29
9:30 am (Session 2)
Institutions, Aesthetics, Politics
Moderated by Scarlett Jang (Williams College)
How do institutions shape the history of Asian art? How have museums,
exhibitions, and official histories impacted our understanding of
objects, and what might be the relationships between the institutions
of
art and wider geo-political forces?
Rana Mitter (University of Oxford)
Aesthetics, Modernity, and Trauma in Modern China
Akira Takagishi (Tokyo Institute of Technology)
A Twentieth-Century Dream with a Twenty-First -Century Outlook: Yashiro
Yukio, a Japanese Historian of Western Art, and His Conception of
Institutions for the Study of East Asian Art.
Discussion
Saloni Mathur (UCLA) and Kavita Singh (Jawaharlal Nehru University, New
Delhi)
Museology and the Post-Colony: The Case of India
Dr. Gao Shiming (China Academy of Art, Visual Research Center,
Hangzhou)
Realism: Depart from Post-Colonial Asia
Discussion
12:30 pm
Lunch
2:00 pm (Session 3)
New Histories, New Futures
Moderated by Julia Andrews (The Ohio State University; Clark Professor,
spring 2006)
How is our understanding of art in Asia being shaped by contemporary
artists and histories? What might be the shape of Asian art history in
the next century? How might the history of Asian art impact western art
history? What effect might new global movements, diasporas, and the
internationalism of the art market have on shaping our ideas of Asian
art?
John Clark (University of Sydney)
Histories of the Asian "New"
Alexandra Munroe (Solomon R. Guggenheim Museum)
Asian Ideas in Modern American Art
Discussion
Melissa Chiu (Asia Society Art Museum)
The Chinese Diaspora: An Expanded Chinese Art History
Gennifer Weisenfeld(Duke University)
Reinscribing Tradition in a Transnational Art Market
Discussion
5:00 pm
Conference Response and Discussion
Respondent: Partha Mitter (University of Sussex, England)
Chaired by Lisa Corrin (Williams College Museum of Art)
7:00 pm
Closing Reception at Williams College Museum of Art and opportunity to
view works of Asian art in WCMA's collections
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